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KUMBHESHVAR TEMPLE COMPLEX

The Kumbheshvar Temple complex, located in Old Patan City, 200 metres from the Patan Durbar Square, houses several temples and shrines dedicated to different Hindu and Buddhist deities along with two hiti ponds. The complex's structures developed in phases, are associated with several myths and legends that are still part of the belief structures and everyday practices of people. 

 

The entry to the complex is through Konti Sattal, a public rest rest house for travellers, pilgrims and traders. 

 

The main temple of the complex is the Kumbheshvar temple, a sacred shrine dedicated to Shiva that dates back to the Lichhavi period (450-750 CE). It is an elaborate, five-storied pagoda, one of the only two five-storied pagodas in Nepal, the other being in Nyatapola in Bhaktapur. The plan of the shrine is simple with an outer and inner area. The outer area serves as a sanctuary and the inner as an altar with a Shiva lingam in the centre. 

 

Various stories explain the existence of the Shiva Lingam from ancient times. However, the temple was constructed in 1392 by King Jaya Bhima and was only two stories high. As part of the periodic renovation we see of temples in this region, changes were made by King Jayasthiti Malla in 1422, and later, King Shrinivasa Malla reconstructed the temple in 1672. King Yognarendra Malla is said to have added three levels in the 17th century. 

 

There were multiple alterations over the years, and the temple was damaged in the 1808 and 2015 earthquakes. However, the royal families contributed heavily to the repairs and conservation works, making it the five-storied structure with decorated roofs that are seen today. The entire temple is decorated with intricate wood carvings. The wooden struts supporting the roofs have carvings of Lord Bhairava and his multiple consorts. The space between the struts is filled with intricate wooden latticework. Shiva’s mount Nandi is found kneeling in front of the temple. 

 

Another significant temple is the Bagalamukhi temple, dedicated to Goddess Bagalamukhi, one of the ten Hindu tantric Goddesses. The structure is a simple elongated single-storied structure with a rectangular cell occupying the southern part of the complex. Around the 1800s, the Prime minister of the Rana dynasty Bhim Shamsher provided the shrine of Bagalamukhi with a roof, a tiled floor, a silver torana, and a silver door with carvings. While the silver shrine is a highlight of the temple, it also displays intricate carvings and Newari woodwork on the walls and doors. 

Similar to the Patan Durbar square, the temples in this complex also see a clear distinction based on the gender and caste of the deities. The Kumbheshvar temple, dedicated to a male deity, is worshipped and looked after by the Brahmins and other high-caste worshippers. On the other hand, the Bagalamukhi temple, next to the Kumbheshvar temple, is dedicated to one of the ten tantric goddesses where offerings of meat, alcohol, and animal sacrifices are made. The worshippers of this Goddess are the Kapali-Jog caste, often associated with Newari death practices. 

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Entry to the temple complex
(Source: Rupali Gupte)

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Kumbheshvar Temple  
(Source: Rupali Gupte)

Bagalamukhi Temple
(Source: Rupali Gupte)

 

The temple complex also houses the Misa Hiti, the Konti Hiti and the Konti Pokhari. Misa is attached to the temple gate. The Konti hiti is opposite the temple gate and the Konti pokhari is inside the temple complex. Hitis are traditional stone spouts and the first hydraulic devices designed to collect and distribute water. Social groups known as guthis were in charge of maintaining the hitis. They celebrated several cultural events in the hiti to preserve and protect them. Today due to the modernisation of water supply most of the hitis have dried out. Many local legends enhance the significance of the temple complex. One such legend is the connection of the ponds in the Kumbheshvar complex to lake Gosaikunda, a sacred lake in the Himalayas. The legends contribute to the various religious beliefs and customs during annual festivals. Many people come to the Kumbheshvar Kund during the Janai Purnima festival to take a dip in the holy water, as a symbolic equivalent of the sacredness of Gosainkund. 

The temple, due to its location in the Old Patan city forms a part of the UNESCO World Heritage site. It is a living example of a sacred space governed by mythological stories and traditional practices.

References

  • Hutt, Michael. n.d. Nepal: A guide to art and architecture of Kathmandu valley.

  • Korn, Wolfgang. 1979. The Traditional Architecture of the Kathmandu Valley. https://ci.nii.ac.jp/ncid/BA86258459 

  • Asian Historical Architecture. n.d. “Kumbeshwar Temple, Patan, Nepal.” Asian Historical Architecture. Accessed August 6, 2024. https://www.orientalarchitecture.com/sid/1592/nepal/patan/kumbheshwar-temple 

  • Brundlmayer, and Cecile. 2011. Ethnography of the Kumbhesvara temple compound in Lalitpur (Patan), Nepal.

  • Yoshei Endo, Toshikazu Hanazato. 2018. Seismic Behaviour of a Historic Five Tiered Pagoda in Nepal. Shinshu University, Nagano Japan

  • Maharjan Alisha. 2022. Traditional Stone Spouts in Newar Community: Interpretative Inquiry. Unpublished dissertation, Kathmandu Univerisity, Dhulikhel, Nepal. 

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Misa Hiti
(Source: Rupali Gupte)

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Plan of the Kumbheshvar Temple Complex
(Source: Drawn by Author | After David N. Gellner and Micheal Hutt)

© 2024 by School of Environment and Architecture

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